About Screaming From the Heavy Underground

 

How it Started

After jumping headfirst into the underground stoner/doom music scene on social media in May of 2023, I quickly became aware that there is a plethora of undiscovered talent out there. I'm not talking about bands that are just "pretty cool" or "ok". I mean skilled musicians who can sing, write a song, play an instrument, or a combination of those things just as good or better than those in mainstream music. Once I started contributing to the Doom Charts in September 2023 and started keeping closer tabs on the bands I'd nominated, it became even more apparent that many of these bands just fall by the wayside. I have to be honest; this made me incredibly frustrated and emotional at times at the injustice of it all. After rooting for these bands and cheering them on, it crushed me to see them just kind of disappear. 

This is not the fault of the bands themselves. Most often, it's due to lack of money. Resources eventually dry up, and that's a bit difficult to remedy, especially in lousy economic times. However, what we can do is make an effort to spread the word about some of this amazing talent to as many people as possible, fans and professionals in the industry alike, to ensure they're being heard by the right people. So, I created Screaming from the Heavy Underground in December 2023, as an extension of my social media pages, with the intention of sharing some of these amazing bands with an even larger audience. I am, it seems sometimes, screaming to be heard from the abyss to anyone who is remotely interested in heavy underground music, hence the name. 


What I Do

I primarily cover stoner/doom music and its subgenres (desert rock, psychedelic rock, sludge, etc), alternative rock, and grunge. I write about both new releases and older music. In fact, one of my favorite pastimes is uncovering older underground music that deserves to see the light again or for the first time. I have a very unofficial specialty in German stoner rock. This actually wasn't intentional; at one point in late 2023 I noticed that a solid 75% of the stoner rock I found myself getting massively into comes from Germany, and it's been that way ever since. 

I'm often asked if I do reviews. The short answer is sort of. I don't really like to call them reviews because I'd feel a bit pretentious doing so. However, if I like something, I'm more than happy to write about why I like it, writing what I affectionately call, "Stephanie Says Nice Things About an Album". Conversely, if something isn't quite suited to my personal taste, I don't feel comfortable writing about it, because that's just not fair to the band. Sure, constructive criticism can be helpful, it's just not what I do here, nor is it my place. If I don't like something, there's someone out there who will absolutely love it, and will give it the proper representation it deserves. 

Screaming From the Heavy Underground is a one-woman operation, so I don't write a large number of reviews. When I do write one, it's usually quite in depth and heartfelt, about albums that genuinely resonate with me. I also don't make any money whatsoever from review writing, so this is truly a labor of love for me that I partake in when I have free time. 

In that same vein, as I'm not a musician (although I do have some experience playing music), I write primarily about what music means to me on an emotional level. I can't critique your guitar playing, but I can tell you what images in paints in my brain and conjures in my soul. 

*Note: I won't write about AI generated music under any circumstances. 

Contact

You can send me your music and inquiries in the following ways:

Thanks for stopping by to check out my blog, and I look forward to hearing from you! 



🖤
Stephanie

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